Writing

Peer-Reviewed History & Criticism

An older woman spanks a young child in the snow

Spinster Regionalism: Asexuality, Genre, and Type in the Shadow of Consumer Desire

American Literature, vol. 97, no. 4 (December 2025)

This article excavates a corpus of experimental asexual writing that emerged against the backdrop of sexuality’s compulsorization and the rise of consumer desire. This genre, which I call “spinster regionalism,” critiqued the period’s literary obsession with sexuality insofar as it subserved the expansion of consumer desire and consumer capitalism in America and abroad. I draw insights from this early moment of asexual aesthetics to contemporary theories of (a)sexuality and its relationship to queer politics.

Odd Women, New Women, and the Problem of Erotic Indifference in Late-Victorian Feminism

Signs, vol. 49, no. 2 (Winter 2024)

Anxieties about declining reproduction rates and racial replacement grip contemporary politics. This article returns to the celibacy crisis that roiled England across the end of the 19th century, a crisis that fueled nascent eugenic and sexological power. I revive a now-forgotten cultural type, the Odd Woman, who bore anxieties about declining sexual desire and rising celibacy rates—echoing our own era’s panic about incels, the loneliness epidemic, and chronically online youth. Rather than accede to this panic, however, I suggest we could do well to follow the Odd Woman’s literary proponents, who saw in her proto-asexuality the glimmers of an important political refusal to reproduce the immiseration of her social world.

Public Humanities

Beyond Bias: The Case for an Abolitionist Psychology

Los Angeles Review of Books (January 2021)

Implicit bias training does not curb racism in police departments. And yet the fantasy persists that this is the way to address antiblack police violence.

Puppestry, Mechanical Intimacy, and the Critical Power of Silliness: An Interview with marissa Fenley

In Practice: The UChicago Arts Blog

Interview with scholar-practitioner Marissa Fenley, Arts|Science|Culture Initiative fellow at UChicago. We discuss her research into the ways ventriloquism and puppets expose and disturb the ways intimacy becomes codified, institutionalized, made rigid.